Pork Steak and Beef Chops? Musings on Meat Cuts

So, I have some lovely heritage breed pork steaks waiting in the freezer. They are marbled, the size of a porterhouse, and look like they will be fantastic. I also have pork chops. However, beef chops? I have not met such a thing in the US, or at least, the cut is not labeled as a “beef chop.”

I see no beef chop. Source: https://tatnuckmeatandsea.com/fresh-meat/beef/what-part-of-the-cow-is-ground-beef/

What we call “steaks” in the US are, technically, the part of the cow that in pigs and sheep would be a chop. Porterhouse, T-bone, sirloin, having the bone in separates a “chop” of beef from a steak. Except the pork steaks I bought are boneless, as far as I can tell. Since I don’t order steak-like beef when I am outside the US, I can safely say I have not had a dish called a beef chop.

Pork chops, check. Source: https://modernfarmer.com/2014/03/pork-cuts-101-diagram/

Why the difference? Tradition? Because in the US we drop the word “chop” from the names of the cuts for reasons lost to time and advertising space? Because “chop” has become so closely associated with lamb and pork that people would stare if someone stuck a “beef chop” tag on a T-bone and then demand that it be corrected posthaste?

Parts of animal have always been a section of vocabulary that varies widely from place to place and era to era. The peak might have been reached in medieval and Early Modern Europe, when hunting and carving led to amazingly complex and precise (overly so?) vocabulary for each kind of bird and beast, as well as male vs. female. Knowing the difference meant that one was part of the upper-upper class, or a servant in charge of cooking, serving, or hunting wild game. Sort of like drinking tea with one’s little finger extended, or knowing that tea came before milk among the truly wealthy (fine china wouldn’t shatter from the boiling drink, but less expensive pottery would, so milk came before tea among working folks.)

I’m not going to ask my butcher for a beef chop. It’s just something interesting to muse about.

Twenty-Five Years

[I have no deep thoughts, no words of wisdom or anything that truly adds to what will be said today, just personal observations and musings.]

Not that long ago in the span of things, very long ago in some ways, and yesterday in other ways. I think 2020 was the first year I had students who had not been alive in 2001. So for them, the events of that September are history very much as September 12, 1683 are history for me (or the Kennedy assassinations, for that matter). I can call up images of what I personally saw, so to me, it remains closer to current events. Too, for historians, 30-50 years is when history begins, because it depends on a combination of generational memory and archive access. In the US, thirty years is the starting point for general declassification of documents. The UK generally starts fifty years after the event.

This is a frustrating anniversary, because of political things. Yes, Osama Bin Laden is still answering to a Higher Authority, as are others. I won’t discuss the politics of other things, because I try to avoid that. My readers’ feelings cross the spectrum, and include people from outside the US who have their own takes on US policy and governmental behavior, their own experiences with groups a la Al Quaeda.

What has changed, aside from the obvious? For one, I think more people are aware of the teachings of Islam, both the primarily religious and the overtly political. I suspect far more non-Muslims have read the Quran and many of the important hadith. Americans know where Afghanistan is, and a few other places.

For me? I’m no longer active in aviation as a profession. I am far more aware of national and international security matters, I’ve read the Quran in three different translations, along with the major hadith, and have learned more than I intended about world history and the interconnections between politics and religion. My opinions about some Western activists statements about political Islam have hardened considerably. I no longer see the hijib as a personal religious statement to be admired as showing how open and relaxed American society is about faith. The phrase “religion of peace” sets my teeth on edge.

A beautiful, clear morning at the start of a week off of work (I did 14 on, 7 off rotations) turned into the start of a quiet, ongoing personal fight against hatred and evil. When it was possible, I was more openly active, getting Al Quaeda propaganda taken off-line, pointing out to hosting companies that they were breaching federal anti-terror finance laws by assisting certain groups by providing server space and hosting services, things like that. Now? I work in other ways, or try to.

Twenty-five years. My cohort were, on September 10, 2001, pretty certain that the Challenger disaster would be the event that defined our generation, perhaps the Gulf War, maybe. Little did we know that ten years later we would have to specify “First Gulf War.” Or that the Welsh fighting song “Men of Harlech” would take on meanings that still make me choke up thinking about.

What Do You Need To Know?

Is it important to be aware that hitching bulls to a wagon might not go well? Should younger people learn about suckling pig and the reason we eat pigs young (if they are old-breed animals)? How vital today is the knowledge of the death march drums, and military justice, or the sequence of plow-sow-harrow-weed-harvest with sickles?

I”m always somewhat surprised by what some of my students don’t know, and don’t realize that they don’t know. But then they’ve never been around horse and ox farming, don’t see really old wagons and hand tools, have no idea about crafts of the pre-industrial or even pre-WWII world. To describe, oh, Deism as “the watchmaker g-d” makes no sense to people who have never seen the interior of a mechanical watch or clock.

When and where I grew up, horse and ox-drawn farming was not that far away, and some people still had Conestoga-type wagons for reenactments. We read things like the Little House books in school, and I read the McGuffey’s readers. My grandparents had wash pot and washboard, and explained how they were used. I saw people making soap (not fun) candles (only the semi-fun part) and was encouraged to learn how weaving and so on worked. We had a big garden that was attacked by rabbits, which had to be thinned via air-rifle. Composted manure? Taught me about how fertilizer and crop rotation happened before nitrogen fertilizer was invented. “History” wasn’t all that far away, or at least, historic technologies like water-powered grist mills, windmills for water, and so on were not far away.

How much of that do younger people need to know to make sense of history and some literature? Well, some is vital to understand why the medieval world was the way it was, and why the combination of the Little Ice Age and Black Death were so, so terrible for Europe and left such traces on culture. Without knowing about a world of muscle and water power, the role of the Industrial Revolution on the rise of women’s legal equality isn’t as easy to understand. But past that, what’s really critical?

By the time I was 14 or so, I had a darn good grasp on the basic progression of technology and society, even if the details were fuzzy outside of things I was passionately interested in. That’s not true at all, or I should say, it is very unusual to find students who have heard of a horse collar or know about mechanical watches and stuff like that. Let alone the other parts of older cultural things.

What’s vital? I have some ideas, but then the more important question, how does society as a whole decide that these things are important, that a kid growing up in Spanish Harlem has a reason to know why machines were such big deals whenever a new and better one came along, or why changes in farming had to come before other “revolutions” in human history.

‘Tis a puzzle, and it probably goes down to questions that lead to hair-pulling and hissing matches between activists, historians, and politicians.

Tuesday Tidbit: A Bard

Tuathal does bard things and contemplates the season to come.

The chill west wind hissed around Dunad—the hill of kingship—, turning his light cloak into a wing. Tuathal smiled, savoring the scents of the land and water. Beyond the blue-gray hills, the ship-road rolled, storm stirred with the coming of winter. Not yet, but soon, so warned the wind. 

Two hawks passed over, followed by a handful of cloaked crows. The hawks ignored the crows’ rude calls. He reached for the second hawk, saw through its eyes. Animals moved below, too large to eat, and perhaps dangerous. He withdrew with thanks for the warning, and returned to himself as the wind swirled once more.

Words moved in him. He waited, patient, as the song settled. Geese and swans on the water, songs in a bard’s ken, the two shared much in common. 

“Year turning, harvest coming, gold the sun and gold the grain

“Wind singing, winter coming, silver the wind and silver the rain.

“Birds singing, winter coming, red the apple and red the sun,

“Reaper singing, harvest coming, brown the cattle and brown the dun.”

He turned the words over in his mind, humming the melody. To hum hurt, but not as much as before. That he could speak, sing, and hum at all was one of the Three Wonders of the Isle of the Mighty, perhaps. The wind sang as well, sang a warning of winter and storms on the wing.

He returned to the corner of the king’s hall where his wire strung harp, the clarsach of a master bard, waited. Three of the strings gleamed more brightly than the others in the dim firelight, strings replaced while the harp resided with the King of the Mounds. They sounded as sweet as their fellows, or did they? He settled onto his seat, lifted the harp, and tested the tune. It needed no work.

He considered his hands. The harp callouses would return with playing. His fingers remembered their skill, even if he could not achieve it yet. Six months—or had it been six years—without playing … They were past. The mark of his gesh had faded from all but the palms, the skin gray-black as if he’d held charred wood. What meant it? His harp had returned from the court of the King of the Mounds, yet the soot-stain of the binding remained. Perhaps the wise ones, priests of the gods, knew. He had not that secret, nor did he need it just now.

He settled the clarsach against his shoulder and touched the wires. They sounded, quiet and pure of note as the waters of the spring on Ceridwin’s mountain. He played basic patterns, loosening fingers and wrists once again, then began one of the double dances of the Brytheen queens’ courts. The notes wove in and out, then shifted tone and rhythm, slowing yet speeding. The music sparkled like sun on water, turned to a cloud-dark sky, then gleamed once more.

Tuathal stopped. Servants moved with soft, sure steps as they prepared the low king’s hall for the evening. He rested his hands, moving shoulders and wrists to ease strain. Six months without playing … The scars of his other labor would not fade so fast as had the marks of his gesh. Too, how long had it taken him to build strength and endurance when he was a student at Múinti allav Amlod’s feet? Like harp strings, like harper, tightness led to trouble. He ignored the servants and arms men watching from the dark edges of the chamber. All felt as it should in his hands and arms. His voice …?

“Strong the power, strong the life, silver the scales in the waters.

“Salmon of knowledge swimming mightily, silvery keeper of power.

“Word-fed swimmer of secret deeps, old as the great oak of Mathonwy,

“Silent speaker of silvery secrets, scales of silver richer than gold, 

“Mighty salmon of wisdom.”

His voice touched his own ears, deeper, rougher perhaps, yet not harsh? He had not the words for the sense. Still his throat ached if he spoke too much, sang too long without due care. The wise ones had heard, and Forchal had nodded with knowing, but of what? Other listeners, even harpers and lesser bards, showed no rejection or sign of dislike when he ventured to sing. He shrugged to himself. It was as it was. The gods had returned his gifts to him. A grateful guest did not question the gift or the giver. 

After another pause, he let his hands move as they would. A darker song flowed, heavy with foreboding, the tale of Dotha NoFionn, Dotha the Greedy, and the gesh that led to the unmaking of the people of Yles. Water and stone covered Yles, hiding what had been. Did stone truly soften and flow like smith-poured bronze? Did he want to see? Tuathal played, reciting the tale to himself. 

More servants worked, and the low king’s steward built the fire higher. Tuathal released tension on the strings and slid the clarsach into its case. Rest he needed, and to make way for those who worked. Oh, how well he now understood the slow steps of the bond servants and others! For an instant he felt again the lash of the dark king’s anger, sharp and cutting as a rope on a bare back. The memory passed. He stood, saluted the fire in the hearth, and went to his place among Fiachta NoDomnail’s household. Cool water and rest, both would be welcome. 

A traveling bard joined the court that night. After the giving of the hero’s portion, Fiachta called, “What news bring you?”

The man stood and bowed, “That this court prospers above all, most generous king, and that the tale of Tuathal the Open-handed, bard of your court, has reached east and south. 

“Trouble moves in the south, oh king. One called Fyon the Black seeks word of a kinsman, or one who was once kinsman before he joined the ranks of the wise. Fyon also raided the lands of Ronan Red-Beard to regain his honor and cattle. Ronan had lifted two tens of cattle from the lands of Cao, sworn to Fyon, in repayment for the blood of kindred.” 

Fiachta glanced toward Tuathal. He nodded. That explained why Cao had been on Fyon’s lands, and why the dead man had been able to pay a high bride price. Raid and return, that should end it, perhaps. 

The bard continued, “Ronan killed Fyon’s second son, the bard, or the one who claimed to be a bard.” The man sounded puzzled. “None trained him, or knew with whom he had studied. None had heard him play or recite, so we,” he touched his chest, “do not know aught of the son.” 

Now the man smiled, “Three green sheep were seen dancing with a deer. The wise ones forbade anyone eating or brewing the rest of the grain and burned it.” Wry grins and chuckles, along with a few winces, followed the news. No, beer and bread should not be made from sour grain. “The harvest in the south is not so good as last year, but no more sheep sicken. Fewer traders come from the eastern land, because of storms and a war near the Tongue of Armoric. A southern king fights for land, or so it is said.”

Tuathal listened, turning the man’s words over in his mind. Fyon’s son. How could he be a true bard if he had not trained under a master? Even Gwydion had studied to polish the gift he’d gained before his rebirth as Gwydion. And who did Fyon seek among the wise? Something stirred in his memory, then sank back into hiding, perhaps a fragment of tale. 

Would he sing of the lands under the mounds? No. That was not for telling. Perhaps after the death of the year, or the turning of winter, but this was not the time. Now was the time for harvest, for thanks to the Lord of the Land and the other gods for the bounty of the land, and perhaps for other things. He’d speak with Meren soon, and Queen Aisling. But not this night. This was a night for feasting, and listening. The bard brought new songs from the south and east, new melodies to be learned and shared. He sipped beer, ate bread spread with butter and the last soft cheese of the summer, and listened. 

Meren joined him when he returned to his chamber. She had not come to him since his return, and even now hesitated. He smiled and took her hand. She relaxed, drawing close. He brushed the work-roughened fingers with his thumb. She wore one of the rings he’d given her, and he smiled wider still. “What will you?” 

Her kiss and embrace gave the answer. Afterwards, he stroked her hair and the warm skin of her shoulder as she lay between him and the wall. “What will you?” he asked again. 

The head under his hand moved back and forth. “Nothing,” she whispered. “How can I ask more than what you already gave?” He heard nothing but honesty in her voice. She had never asked for anything but his touch, never put herself above other women despite his favor. Why? Now was not the time to learn. He stroked her shoulder once more. Her breathing deepened, slowed as sleep surrounded her. He followed her into dreams.

(C) 2026 Alma T. C. Boykin All Rights Reserved

Book Review: Kipling’s Pocket History of England

Fletcher, C. R. L., and Rudayrd Kipling. Kipling’s Pocket History of England. (Garden City, NY:Greenwich House, 1983; Reprint of 1911 edition A School History of England)

Short version: Engaging Victorian history at its finest, written for younger readers, with Kipling poems.

Long Version: Charles R. L. Fletcher wrote a short history of England, and invited Rudyard Kipling to add twenty-three poems to go into the text. Illustrated with engravings of some scenes from various episodes of that history, the book was to fill in a gap and engage schoolboy readers in the history of England to date (1911). Fletcher was a staunch and unrepentant imperialist who remained doubtful of just how well democratic styles of government would endure. That shows up in his work, which is still engaging, entertaining, fun to read, opinionated in a wonderfully Victorian sort of way, and may teach you something about English history as one university professor saw it. Kipling’s poems add to the work, and are some of his best known history pieces, including “The Reeds of Runnymede,” “Edgehill Fight,” and “The Dutch Along the Medway.”

The book begins with the prehistory at the end of the last ice age. By 1911, it was known that Britain had been attached to the Continent at some point, and that the Rhine had been the main river. I caught myself starting to correct the author once or twice, but what he describes was the most up-to-date information in the early Twentieth century, so it is not fair to fuss from 2026. He then goes into the arrival of the pre-Celtic and Celtic peoples. He’s not a fan of Celts, be they ancient or modern. The book comes down heavily on the side of law, order, and a strong central government, so the Romans are uplifters and bringers of civilization.

After Rome come the Saxons and “Danish pirates.” Fletcher never uses the term “Viking,” which might not have been in common currency at the time. The Saxons were better than nothing, but the Norman arrival is greeted with great approval. At last, order will be imposed on the brave, solid, but chaotic and somewhat scattered peoples of England.

Those kings who expanded the kingdom and hammered their enemies are good (Aside from Henry V), and those who deferred to Parliament or who were less than great (Stephen, John, Edward III, Richard III) are bad. The author makes his preferences clear. I had to fight back laughter during the grumpy description of how the ungrateful English colonists refused to listen to their rightful king, balked at doing their share of tax paying, and bragged about “freedom” and “rights.”

Kiplings poems are scattered through the book, generally one or two per chapter. Each chapter also has an illustration of an event or character from the section.

The book’s tone reminds me more than a little of the Just So Stories, because it speaks to the reader in a similar fashion. (Not quite “Best Beloved” but close.) It is sort of conversational, and I can imagine a pipe-scented Oxford Don speaking to students, waving one hand in dismissal as he describes, oh, the wars of Henry V or the reign of George I. “Yes, yes, Agincourt and all that, but the wars were uncalled for. He had no true claim to the throne, and England would have been far better served by not antagonizing the French.”

I’d recommend it for a summary overview of English history through “Great Queen Victoria,” for someone trying to engage a younger reader in history, and Kipling fans. The book is very opinionated, and no longer accurate in places, but still very well written. It is also a fantastic book to use for teaching historiography, the study of how people wrote history, because it is so very biased pro-Protestant, pro-Empire, and pro-monarchy. And it has Kipling poems.

FTC Disclaimer: I purchased this book with my own funds, and received no remuneration from the publisher or the authors’ estates for this review.

Assorted Odds and Ends

I watered a tree that had been injected by the tree people with a systemic anti-fungal and some tree-vitamins. A small storm popped up overhead and rained for a few minutes. Some days are like that.

Just because you can layer over a hundred tracks for a song doesn’t mean that you really need to. Sometimes less really is more. I hope this is a phase, because the vocalist shouldn’t be an afterthought in symphonic rock, IMHO. Note that this is not new in music. Elgar tends to layer too much over the choir, when he has a choir. Vaughn-Williams did it too, but not as badly. Beethoven just forgot that the choir is not a stringed instrument (i.e. breathing is not optional!)

Some of my students are not aware of why bulls are not commonly used as wagon or plow animals. Remind me to avoid being around young teens if they try to hitch bovines to a vehicle.

The most doom-laden words at five minutes until go-home time are, “This won’t take long at all.”

Driving a rented minivan is akin to maneuvering a tank through an antique store, or so it feels. The foot feed … lags. There is a great deal of mass to bring to a stop, and the seat, even when raised and tilted is lower than a limbo pole in the Mariana Trench, or so it feels. (MomRed’s car is in the shop, and we need two vehicles because of our schedules.)

Acclimatization: When you see a forecast that only reaches 97 F for the high temperature and say, “Oh, good! Cool weather.”

Water appearing on the (tile) floor when an appliance is running is Not a Good Thing. I have been expecting it, so I just sighed, got more paper towels, and added an item and installation to the fourth quarter household budget calculations.

Familiars Afield…

And at home. Books, Barns, and Songs is now available!

Magic and a double masters don’t always mix. Neither do tribal politics and a small, powerful gift.

From a mage with a Russian Blue Familiar and a … yard dragon? … to assorted barns in River County, to the wilds of Unnamed University, characters old and new get into and out of troubles often new and always Familiar.

Friday Fragment: The Sword and the Bone

I have no— I think I know where the idea came from, but I’ve not taken the time to research more in order to build this out into a story.

Dr. Richardson beckoned to him from her lab doorway. “Clive, we’ve got a problem. That sword.” She looked distinctly unhappy and kept her voice low.

He glanced left and right, then leaned closer. “Fake?” That would be awkward, to put it mildly.

She shook her head. “Worse. Come in. Close the door behind you, please.” She turned, and he followed the tall metallurgist into the lab. The sword rested on the padded cradle used for ancient weapons and larger fossils. Dr. Richardson led him around to the other side of the lab table, and pulled on a pair of silk gloves. Thus warned, he pulled his out of his jacket pocket and did the same. “When you said it looked like a fantasy sword, you weren’t kidding. See this?” She touched part of the elaborate cast bronze guard at the base of the hilt. 

“Yes. It looks too delicate to be pre-Shang, but it doesn’t fit the other regional styles, even Yamnaia or that specialized group on the east side of the Urals.” He thought he saw serpents and stags in the twining vines and loops, but he couldn’t be sure. 

She nodded, then pushed down on the end of the hand guard. It rotated. As he stared, the center of the hilt turned as well, revealing ten centimeters of what looked like ancient bone or fossilized wood. “That’s the problem.” She lifted the item out of brackets in the bronze and iron hilt. “It’s bone. I had Sven look at it with the magnifiers, and it’s bone.”

Clive mouthed a few things behind his hand, starting with a choice curse. “Mammal bone,” he guessed.

“Yes, and based on the size and the shape, he suspects human.” 

Excitement surged, then drained away. “It’s not supposed to be there, and looks too old. Fake?”

She returned the bone—or whatever—to the hilt and rotated it closed once more. “Sven doesn’t think so. He think’s it’s mammal, possibly human, but something’s off. And no, it cannot be Dennisovan. We triple checked the structures, and no, it’s not Dennisovan. It—” She took a long breath and stared at the weapon. “It looks almost reptilian, but with marrow. As if it was one of those warm-blooded dinosaurs that Bakker was going on and on about.”

Clive caught himself before he said the first thing in his head, which was “You’ve got to be shitting me.” Instead he counted to ten in Polish, then again in Mongolian. “Do you need permission to do a dating check?”

Dr. Richardson removed her silk gloves and ran one hand over her frizzy black hair. “Yes. In writing, with signatures, because if it proves to be human, or something else odd, the ethics vultures will be on us faster than real vultures on a dead deer.”

“And then the reporters will circle to clean up anything else.” The last joint research project with the Chinese had been terminated because of bad reportage in English-language press. Explaining that tabloid speculation was not an official university statement had failed to persuade the Powers That Be in China to allow the project to continue. 

[Permission is obtained, but the parcel is diverted, leading to Clive having an “interesting” encounter.]

Clive shook his head. “Dragons . . . Not possible. No family, let alone species, of anything like that survives in the fossil record, let alone as a living species.”

Mr. Ozawa extended his right hand. A shimmering sphere appeared in his palm, pearly and iridescent. In it, an image formed, a coelophysoid or member of a similar species. As Clive stared, mesmerized, the dinosaur straightened up, its tail shrinking, forearms gaining muscle. “Bakker was correct about metabolisms and endothermy, you know, despite what his challengers claimed. Parallel evolution I believe is the term, Dr. Stricker?” The reptile’s face shrank, flattening, the hips shifted as well. Clive blinked. Now the beast wore a loose jacket over mid-calf-length robes, like those in the images from the Shang Dynasty, or that one Jamon-Era painting. The pearl of pictures disappeared once more.

“That’s—” He stopped. “OK, assuming what I saw is correct, what you showed me. You are saying that there are people today descended from the bipedal dinosaurs?”

“No.” Mr. Ozawa swept his right hand in a graceful gesture. “Sadly, no. That line died out with the end of the Tang Dynasty, in the great massacres. The descendants of the dragons do survive, not as numerous as once before.” A slight smile curved the thin, blue-pink lips. “Although that might change. Hiding in plain sight proved far safer than did ruling over men.” 

Clive Stricker took several calming breaths. The world had shifted under his feet, or at least in his head. It was the same reeling, staggering sensation that he’d felt on the flanks of Serro Alto just before the eruption. 

(C) 2026 Alma T. C. Boykin All Rights Reserved

School Daze: The Merry Month of …

The moat has been filled in, the pipes are piping what they should, the parking lot is back to semi-normal, although faculty parking is still bass-akwards from what it had been, and we are still not permitted to park in the wheat field.

I come into the building as Fr. Martial is emerging from his lair, ah, office. He starts to go into the Dean’s office, then stops.

Fr. Martial [aka The Headmaster]: Ah, Miss Red?

Me: Yes, sir?

Fr. Martial: [nods to replica pole arm in my left hand] Is there a disciplinary situation I am not aware of?

Me: No, Father. I’m demonstrating medieval Japanese defensive techniques as used by women of the samurai class.

Fr. Martial: Very good. Have a good day.

Me: [slopes pike, er, pole arm] Thank you, sir. You too.

*******

I am working in my classroom, redoing a seating chart after the usual start-of-year shifts and quasi chaos when I hear a small stampede. A voice in the hall says …

Puzzled Person: Are those … cows?

Heavier steps.

Sophisticated Sophomore: Oh, yeah. Welcome to St. Angus. You’re new?

Puzzled Person: Yes. Are they supposed to be rubbing against the school van?

Sof Sop: No.

The guys doing some work north of the school left a gate open. Two of the seniors and two teachers who know how to handle cattle encouraged the strays back where they belonged.

******

Small Person: Where am I?

Miss Strings: Where are you supposed to be?

Small Person: My schedule says Sr. Semicolon’s class but she says I’m not in her class and I should come here but where’s here?

Miss Strings: [Looks at proffered page] Are you {Redacted} Junior?

Small Person: No, ma’am. I’m Confused Dude.

Miss Strings: [Gently guiding lost soul back toward Junior High] Let’s see Mrs. Hankie about getting you the correct schedule.

Confused had grabbed the wrong sheet of paper, and had become surrounded by lostness. It happens.

******

Sr. Scholastica [aka The Dean]: Miss Red, if you have a moment.

Me: Yes, ma’am. (I always have a moment for Sr. Scholastica)

Sr. Scholastica: Have you seen Sneaky Senior today?

Me: Yes, ma’am. He was in my first hour, and I saw him again during third hour, going to Mr. Phylum’s biology lab.

Sr. Scholastica: So he’s accounted for. Hmmmmmm…..

She walked away, deep in thought. I do not want to know, I do not need to know. But I can imagine.

******

Frazzled Freshman: I can’t believe we have so much homework!

Mellow Junior: Welcome to High School.

Frazzled Fresh: How do you get it all done?

Snide Sophomore: She doesn’t. She bluffs.

Sr. Parabola beckons to Frazzled as Brother Vector summons Snide and Mellow into his room.

Sr. Parabola: Frazzled, it is not all due tomorrow.

Frazzled Fresh: It’s not?!?

I didn’t hear the rest of either discussion, because I had to make a run for the border, ah, that is, get things off the printer. Snide is better than last year, but still needs work on timing and reading the audience.

******

The Voice From Above, aka PA system, sounds just after first hour begins. Everyone looks at the ceiling.

VFA: Will all Junior High boys report to the cafeteria. Junior High boys to the cafeteria.

Sneaky Senior: Oooooohhhh.

Solemn Senior: Trouble, or necktie class?

Me: Probably necktie. I observed some valiant attempts at four-in-a-hand this morning.

Smart Senior: Why can’t we do bow ties?

The one guy with a bow tie turns in his seat.

Bow Senior: Because they have to be custom made, and are harder to get right.

Bow is wild and rebellious by … wearing bow ties, and on casual day, he wears three-piece suits. I’m not certain if he will be a lawyer, undertaker, college prof, or drummer for a metal band.