Book Review: Kipling’s Pocket History of England

Fletcher, C. R. L., and Rudayrd Kipling. Kipling’s Pocket History of England. (Garden City, NY:Greenwich House, 1983; Reprint of 1911 edition A School History of England)

Short version: Engaging Victorian history at its finest, written for younger readers, with Kipling poems.

Long Version: Charles R. L. Fletcher wrote a short history of England, and invited Rudyard Kipling to add twenty-three poems to go into the text. Illustrated with engravings of some scenes from various episodes of that history, the book was to fill in a gap and engage schoolboy readers in the history of England to date (1911). Fletcher was a staunch and unrepentant imperialist who remained doubtful of just how well democratic styles of government would endure. That shows up in his work, which is still engaging, entertaining, fun to read, opinionated in a wonderfully Victorian sort of way, and may teach you something about English history as one university professor saw it. Kipling’s poems add to the work, and are some of his best known history pieces, including “The Reeds of Runnymede,” “Edgehill Fight,” and “The Dutch Along the Medway.”

The book begins with the prehistory at the end of the last ice age. By 1911, it was known that Britain had been attached to the Continent at some point, and that the Rhine had been the main river. I caught myself starting to correct the author once or twice, but what he describes was the most up-to-date information in the early Twentieth century, so it is not fair to fuss from 2026. He then goes into the arrival of the pre-Celtic and Celtic peoples. He’s not a fan of Celts, be they ancient or modern. The book comes down heavily on the side of law, order, and a strong central government, so the Romans are uplifters and bringers of civilization.

After Rome come the Saxons and “Danish pirates.” Fletcher never uses the term “Viking,” which might not have been in common currency at the time. The Saxons were better than nothing, but the Norman arrival is greeted with great approval. At last, order will be imposed on the brave, solid, but chaotic and somewhat scattered peoples of England.

Those kings who expanded the kingdom and hammered their enemies are good (Aside from Henry V), and those who deferred to Parliament or who were less than great (Stephen, John, Edward III, Richard III) are bad. The author makes his preferences clear. I had to fight back laughter during the grumpy description of how the ungrateful English colonists refused to listen to their rightful king, balked at doing their share of tax paying, and bragged about “freedom” and “rights.”

Kiplings poems are scattered through the book, generally one or two per chapter. Each chapter also has an illustration of an event or character from the section.

The book’s tone reminds me more than a little of the Just So Stories, because it speaks to the reader in a similar fashion. (Not quite “Best Beloved” but close.) It is sort of conversational, and I can imagine a pipe-scented Oxford Don speaking to students, waving one hand in dismissal as he describes, oh, the wars of Henry V or the reign of George I. “Yes, yes, Agincourt and all that, but the wars were uncalled for. He had no true claim to the throne, and England would have been far better served by not antagonizing the French.”

I’d recommend it for a summary overview of English history through “Great Queen Victoria,” for someone trying to engage a younger reader in history, and Kipling fans. The book is very opinionated, and no longer accurate in places, but still very well written. It is also a fantastic book to use for teaching historiography, the study of how people wrote history, because it is so very biased pro-Protestant, pro-Empire, and pro-monarchy. And it has Kipling poems.

FTC Disclaimer: I purchased this book with my own funds, and received no remuneration from the publisher or the authors’ estates for this review.

Assorted Odds and Ends

I watered a tree that had been injected by the tree people with a systemic anti-fungal and some tree-vitamins. A small storm popped up overhead and rained for a few minutes. Some days are like that.

Just because you can layer over a hundred tracks for a song doesn’t mean that you really need to. Sometimes less really is more. I hope this is a phase, because the vocalist shouldn’t be an afterthought in symphonic rock, IMHO. Note that this is not new in music. Elgar tends to layer too much over the choir, when he has a choir. Vaughn-Williams did it too, but not as badly. Beethoven just forgot that the choir is not a stringed instrument (i.e. breathing is not optional!)

Some of my students are not aware of why bulls are not commonly used as wagon or plow animals. Remind me to avoid being around young teens if they try to hitch bovines to a vehicle.

The most doom-laden words at five minutes until go-home time are, “This won’t take long at all.”

Driving a rented minivan is akin to maneuvering a tank through an antique store, or so it feels. The foot feed … lags. There is a great deal of mass to bring to a stop, and the seat, even when raised and tilted is lower than a limbo pole in the Mariana Trench, or so it feels. (MomRed’s car is in the shop, and we need two vehicles because of our schedules.)

Acclimatization: When you see a forecast that only reaches 97 F for the high temperature and say, “Oh, good! Cool weather.”

Water appearing on the (tile) floor when an appliance is running is Not a Good Thing. I have been expecting it, so I just sighed, got more paper towels, and added an item and installation to the fourth quarter household budget calculations.

Familiars Afield…

And at home. Books, Barns, and Songs is now available!

Magic and a double masters don’t always mix. Neither do tribal politics and a small, powerful gift.

From a mage with a Russian Blue Familiar and a … yard dragon? … to assorted barns in River County, to the wilds of Unnamed University, characters old and new get into and out of troubles often new and always Familiar.

Friday Fragment: The Sword and the Bone

I have no— I think I know where the idea came from, but I’ve not taken the time to research more in order to build this out into a story.

Dr. Richardson beckoned to him from her lab doorway. “Clive, we’ve got a problem. That sword.” She looked distinctly unhappy and kept her voice low.

He glanced left and right, then leaned closer. “Fake?” That would be awkward, to put it mildly.

She shook her head. “Worse. Come in. Close the door behind you, please.” She turned, and he followed the tall metallurgist into the lab. The sword rested on the padded cradle used for ancient weapons and larger fossils. Dr. Richardson led him around to the other side of the lab table, and pulled on a pair of silk gloves. Thus warned, he pulled his out of his jacket pocket and did the same. “When you said it looked like a fantasy sword, you weren’t kidding. See this?” She touched part of the elaborate cast bronze guard at the base of the hilt. 

“Yes. It looks too delicate to be pre-Shang, but it doesn’t fit the other regional styles, even Yamnaia or that specialized group on the east side of the Urals.” He thought he saw serpents and stags in the twining vines and loops, but he couldn’t be sure. 

She nodded, then pushed down on the end of the hand guard. It rotated. As he stared, the center of the hilt turned as well, revealing ten centimeters of what looked like ancient bone or fossilized wood. “That’s the problem.” She lifted the item out of brackets in the bronze and iron hilt. “It’s bone. I had Sven look at it with the magnifiers, and it’s bone.”

Clive mouthed a few things behind his hand, starting with a choice curse. “Mammal bone,” he guessed.

“Yes, and based on the size and the shape, he suspects human.” 

Excitement surged, then drained away. “It’s not supposed to be there, and looks too old. Fake?”

She returned the bone—or whatever—to the hilt and rotated it closed once more. “Sven doesn’t think so. He think’s it’s mammal, possibly human, but something’s off. And no, it cannot be Dennisovan. We triple checked the structures, and no, it’s not Dennisovan. It—” She took a long breath and stared at the weapon. “It looks almost reptilian, but with marrow. As if it was one of those warm-blooded dinosaurs that Bakker was going on and on about.”

Clive caught himself before he said the first thing in his head, which was “You’ve got to be shitting me.” Instead he counted to ten in Polish, then again in Mongolian. “Do you need permission to do a dating check?”

Dr. Richardson removed her silk gloves and ran one hand over her frizzy black hair. “Yes. In writing, with signatures, because if it proves to be human, or something else odd, the ethics vultures will be on us faster than real vultures on a dead deer.”

“And then the reporters will circle to clean up anything else.” The last joint research project with the Chinese had been terminated because of bad reportage in English-language press. Explaining that tabloid speculation was not an official university statement had failed to persuade the Powers That Be in China to allow the project to continue. 

[Permission is obtained, but the parcel is diverted, leading to Clive having an “interesting” encounter.]

Clive shook his head. “Dragons . . . Not possible. No family, let alone species, of anything like that survives in the fossil record, let alone as a living species.”

Mr. Ozawa extended his right hand. A shimmering sphere appeared in his palm, pearly and iridescent. In it, an image formed, a coelophysoid or member of a similar species. As Clive stared, mesmerized, the dinosaur straightened up, its tail shrinking, forearms gaining muscle. “Bakker was correct about metabolisms and endothermy, you know, despite what his challengers claimed. Parallel evolution I believe is the term, Dr. Stricker?” The reptile’s face shrank, flattening, the hips shifted as well. Clive blinked. Now the beast wore a loose jacket over mid-calf-length robes, like those in the images from the Shang Dynasty, or that one Jamon-Era painting. The pearl of pictures disappeared once more.

“That’s—” He stopped. “OK, assuming what I saw is correct, what you showed me. You are saying that there are people today descended from the bipedal dinosaurs?”

“No.” Mr. Ozawa swept his right hand in a graceful gesture. “Sadly, no. That line died out with the end of the Tang Dynasty, in the great massacres. The descendants of the dragons do survive, not as numerous as once before.” A slight smile curved the thin, blue-pink lips. “Although that might change. Hiding in plain sight proved far safer than did ruling over men.” 

Clive Stricker took several calming breaths. The world had shifted under his feet, or at least in his head. It was the same reeling, staggering sensation that he’d felt on the flanks of Serro Alto just before the eruption. 

(C) 2026 Alma T. C. Boykin All Rights Reserved

School Daze: The Merry Month of …

The moat has been filled in, the pipes are piping what they should, the parking lot is back to semi-normal, although faculty parking is still bass-akwards from what it had been, and we are still not permitted to park in the wheat field.

I come into the building as Fr. Martial is emerging from his lair, ah, office. He starts to go into the Dean’s office, then stops.

Fr. Martial [aka The Headmaster]: Ah, Miss Red?

Me: Yes, sir?

Fr. Martial: [nods to replica pole arm in my left hand] Is there a disciplinary situation I am not aware of?

Me: No, Father. I’m demonstrating medieval Japanese defensive techniques as used by women of the samurai class.

Fr. Martial: Very good. Have a good day.

Me: [slopes pike, er, pole arm] Thank you, sir. You too.

*******

I am working in my classroom, redoing a seating chart after the usual start-of-year shifts and quasi chaos when I hear a small stampede. A voice in the hall says …

Puzzled Person: Are those … cows?

Heavier steps.

Sophisticated Sophomore: Oh, yeah. Welcome to St. Angus. You’re new?

Puzzled Person: Yes. Are they supposed to be rubbing against the school van?

Sof Sop: No.

The guys doing some work north of the school left a gate open. Two of the seniors and two teachers who know how to handle cattle encouraged the strays back where they belonged.

******

Small Person: Where am I?

Miss Strings: Where are you supposed to be?

Small Person: My schedule says Sr. Semicolon’s class but she says I’m not in her class and I should come here but where’s here?

Miss Strings: [Looks at proffered page] Are you {Redacted} Junior?

Small Person: No, ma’am. I’m Confused Dude.

Miss Strings: [Gently guiding lost soul back toward Junior High] Let’s see Mrs. Hankie about getting you the correct schedule.

Confused had grabbed the wrong sheet of paper, and had become surrounded by lostness. It happens.

******

Sr. Scholastica [aka The Dean]: Miss Red, if you have a moment.

Me: Yes, ma’am. (I always have a moment for Sr. Scholastica)

Sr. Scholastica: Have you seen Sneaky Senior today?

Me: Yes, ma’am. He was in my first hour, and I saw him again during third hour, going to Mr. Phylum’s biology lab.

Sr. Scholastica: So he’s accounted for. Hmmmmmm…..

She walked away, deep in thought. I do not want to know, I do not need to know. But I can imagine.

******

Frazzled Freshman: I can’t believe we have so much homework!

Mellow Junior: Welcome to High School.

Frazzled Fresh: How do you get it all done?

Snide Sophomore: She doesn’t. She bluffs.

Sr. Parabola beckons to Frazzled as Brother Vector summons Snide and Mellow into his room.

Sr. Parabola: Frazzled, it is not all due tomorrow.

Frazzled Fresh: It’s not?!?

I didn’t hear the rest of either discussion, because I had to make a run for the border, ah, that is, get things off the printer. Snide is better than last year, but still needs work on timing and reading the audience.

******

The Voice From Above, aka PA system, sounds just after first hour begins. Everyone looks at the ceiling.

VFA: Will all Junior High boys report to the cafeteria. Junior High boys to the cafeteria.

Sneaky Senior: Oooooohhhh.

Solemn Senior: Trouble, or necktie class?

Me: Probably necktie. I observed some valiant attempts at four-in-a-hand this morning.

Smart Senior: Why can’t we do bow ties?

The one guy with a bow tie turns in his seat.

Bow Senior: Because they have to be custom made, and are harder to get right.

Bow is wild and rebellious by … wearing bow ties, and on casual day, he wears three-piece suits. I’m not certain if he will be a lawyer, undertaker, college prof, or drummer for a metal band.

Thoughts on Packaging

Who needs child-proof caps when you have plastic shell packaging? Although I observed that fewer and fewer technology things come in the infernal hard shell these days. I suspect a burst of “eco-awareness” combined with “If I can’t get this [rude word] thing open, how in the [rude place] are our customers supposed to get to it?” may have done most of us a favor.

I know several people who have shed blood either trying to open the clamshells with knives, or tools that slipped, or been cut by the plastic after it tore. I’ve done both. I understand the idea, which was to make it more difficult and thus less tempting for people to steal by opening the package and slipping out the contents, then leaving the empty opaque box behind. Too, being able to see if the gizmo is exactly what you need, or how it works, was a feature in some instances.

However … Age, the number of places that don’t permit employees to carry the proper tools for opening stuff, and ever-more creative thieves diminished the advantages, in my opinion. “Plastics are oil are eeeeeviillll!!!” and the “environmental awareness” stuff also encouraged companies to return to “low carbon” cardboard and so on. The PR and ESG Score points are important for some companies. I’m not as impressed, but the propaganda didn’t work as well on me, and I don’t have activist investors costing me lots and lots of lawyer time (which means money) on environmental impact statements and so on.

In the beginning you had your hands, and sticks. If you couldn’t carry it in your arms, or impale it on a stick to carry it, well, you had a problem. The basket might have come next, but we’re not certain. Then someone created string, and you could make string bags, tie things into bundles, make better baskets. With weaving we get baskets (yeah!), cloth for sacks (a luxury until scrap fabric existed), and so on. Then clay for pots, which were good for liquids but heavy and fragile. If the carved wooden bucket (hollowed out of limb) or assembled bucket came along before pots we’re not certain, and it probably varied from region to region. Once metal hit the scene, you could make metal boxes to go with wooden ones and baskets. Glass could hold very small amounts of precious liquids, so perfume. Leather also had its uses, as did the innards of some animals.

Eventually someone made thick paper, which begat cardboard in various kinds. Then cellulose and nitro cellulose led to plastic, which was the Answer to Everything (unless it isn’t).

We often take carry and hold for granted. Cloth is cheap, plastic is cheap, cardboard is cheap, relatively speaking. Pottery and glass are now luxuries, or fancy, unless there is a reason to use something that is chemically neutral, or holds heat well, or is decorative. Cloth sacks have come back for some uses, and I have metal buckets in the garden for carrying water, dirt, plants, rocks, dirt, water, dirt … Aside from handbags, a leather satchel, a waxed canvas satchel (rainy weather), two backpacks (one larger and nicer than Olde Faithful), and a very mature computer satchel, I have some cloth bags that I collected on my travels. We will not discuss the ever growing and shrinking collection of cardboard boxes that are unfolded and stored in the utility room for various purposes. RedQuarters has an amazing amount of packaging and “things of holding,” even before one considers kitchen stuff.

Most of it, aside from the kitchen stuff, is not plastic. What is nylon is not clear or rigid. I do not want wrappers that get even, or get ahead.

Tuesday Tidbit: Podcasts, Curses, and Pots

Some days are like that …

After supper had settled, Simeon changed into a shirt that didn’t blend into the wall so well. Then he set up the cameras and microphone for the podcasts. Vladimir settled into his on-camera bed, the one made from an old steel in-box tray. Simeon got everything else ready, triple-checked that the remote control on the cameras worked, and set the first book on the stand. “Welcome to Bytes of Books! We are continuing with Space Cat by D. L. Brock. When last we left Peanut, he stood outside a mysterious, dust-colored Martian door as his humans sought a way into the ancient structure. All their questions would be answered soon.” 

He paused, opened the book, and looked his question at the cameras. “Or would they?” After another pause, he continued, “Chapter Eight – Through the Dusty Door.”

“… Return next week for the dramatic conclusion of Space Cat by D. L. Brock. If you can’t wait, this and other exciting books can be found at your local library or bookstore. Remember, wherever you go, books can take you farther! Thanks for listening to Bytes of Books, your twice weekly bibliocast.” He stopped, then ended the recording. 

It was eleven before he finished recording the second book, including some of the illustrations, and editing everything. Thanks be Pedro would be opening tomorrow. Simeon triple checked everything with the recordings, then went to bed. 

#

Buenos tardes, Jefe,” good afternoon, boss, Pedro said as Simeon finished removing Vladimir’s harness and paw covers. “Hi Vladimir.” 

The cat waved a paw at him, then stalked to the front of the store to start his daily inspection. 

“It’s not quite afternoon yet. Did you get my message?” Simeon tucked his Familiar’s equipment into the usual nook in the shelves in the storage/junk corner of the back room of the shop. 

“Yes. I made space for her table and pots, and warned Mr. Devaca next door. He said fine. The art store down the street from him will be closed both days, so he’s going to set up his display on that side of the door.” Pedro counted off on his fingers as he spoke. “The delivery arrived on time, the rest of the mail is on the desk, and I sold the last copy of Cactus and Corruption.

“I’ve ordered more, and they should arrive on Monday, if anyone asks.” He stopped. Vladimir was backing out of the regional fiction area, ears flat. “Excuse me.” 

Simeon shifted to seeing magic. “Another one?”

“Hurry!”

What—? A stench like brimstone, dead mouse, and worse boiled out of the section. “Be Thou my battle shield,” Simeon whispered, making a ball-shaped shield and wrapping the charm. He swaddled it in silk and magic and hustled the folded paper out the back door. 

“I’m right behind you,” a woman said. “That’s nasty! Do you have a— Good! Can you break it?”

“Not easily. I can shield.” 

“Do that, please. I’ll break it.” 

He set the silk and paper in the green circle, then drew more power from Borsht. “Ready?”

“Ready. One, two three!” 

He raised a shield on the circle, flowing rosy-tan magic out and around. Dark blue-purple power surrounded the page and the spell. “In the name of all that is good and holy, be cleansed,” the woman commanded. He sensed a fight inside the shield, then sickly yellow and green power oozed from the paper onto the ground. Indigo magic caught the flow and scrubbed it free of corruption as he held everything inside the shield. The curse collapsed into ashy gray, then vanished as she scoured the paper and the pavement under the circle. “It is finished, amen, Selah, so mote it be.”

“Amen.” He crossed himself, then pulled the power in from the shield and sent it to Borscht. “Thank you.” 

A small woman in a brilliant green blouse and rainbow striped skirt pulled a glove out of her pocket, picked up the page, and glanced at it. She wrinkled her nose. “Quick, crude, but effective. You need to let the authorities know, the legal ones, not the magical kind.”

“Let’s go inside, please, before that car tries to fit into the alley.” He opened the door. Vladimir hurried, mostly, into the building. His mage and the stranger followed. “Some people do not believe the signs,” Simeon sighed. 

“No. There’s always one who has to be a horrible warning, especially in this part of town.” She set the page on the desk. “Did you touch it with your bare hand?”

“No, ma’am.” He fed Vladimir, then offered her a can of fruit nectar. “Thank you for dealing with that. It might have been more than we can do after yesterday’s working.” 

She took the can, drank it, then said, “You’re welcome. It’s been a while since I last broke a three-level curse. Those are miserable. How did you make the circle?”

Vladimir sniffed. “Was there when signed lease. Spray painted outside of bucket, da?” He licked his chops, then drank some water before finishing the tin of seafood special cat food. 

“I’m Claudia Stravato, sorceress of shadow. Working name Nastro.”

“Simeon Isaacson, Deckle, and Vladimir, Borsht.” They shook. “Could you tell who cast the spells, ma’am?”

She finished the fruit nectar and put the can in the can bin, then said, “A sorceress, not blood-path but not nice, either.” Mrs. Stravato touched her upswept black hair. “Which reminds me, do you have regional cookbooks that are not tourist food?”

He smiled. “Yes, ma’am. This way, please.” He led her back into the shop and to the cookbook section. “This has traditional, pre-WWII recipes, including organ meats. This one,” he handed her a second volume, “Is more modern, but not the latest in restaurant or experimental New Mexican food.” 

She glanced at the index, then at a random recipe, and smiled. “Perfect. Thank you, sir. I hope the rest of your day is less exciting.” 

“So do I, ma’am. Pedro can ring those up for you.” She took them to the front counter, and he tidied the shelf, straightened the table display in the center of the aisle yet again, and retreated to the back to eat something and call the police. 

Officer Sandoval arrived half an hour or so later, record time for a non-emergency in tourist season. She took his statement, slipped the note into an evidence bag, and read it. “That’s a new one. Any idea why someone would make threats against the store?”

“Some people take offense at what I sell, ma’am. Some get unhappy to the point of rage at what I don’t sell. However,” he spoke slowly and carefully. “I think this might be related to the potter who rents sales space from me on occasion. She’s Native American but does not currently exercise tribal affiliation.” That was neutral and honest. 

He could almost see the wheels turning, then gears meshing in the Hispanic officer’s mind. “Ah. I can see where that might be considered … inflammatory, sir?”

“Inflammatory is an excellent word, ma’am.” Especially given the threat in the note. “Some people are rather protective of tradition. However, since Ms. Fredricks has not violated the terms of her contract, I have no reason to refuse her temporary space.” 

Officer Sandoval made more notes. “Understand, sir. Sign here, and here, please, and I need Vladimir Isaacson’s signature as well.” Vladimir hopped onto the table, which creaked but didn’t tilt more than usual. “Shoo, cat.” 

“You said you needed my signature, Officer,” Vladimir stated, tail thrashing. As the officer stared, he continued, “I am a registered Familiar, on file with Santa Fé county, and am a legal personage, of age and able to testify in a court of law. The precedent case is Koswolski vs. Chicago.” He sounded bored. 

“Um, ah, Dios mio.”

Simeon found the stamp pad he used for envelope seals, and dampened a scrap of rag. Vladimir dictated his part of the morning’s events, then read over the transcription, and made his paw stamp on the appropriate line. Officer Sandoval initialed as witness and dated it as Simeon wiped most of the ink off Vladimir’s paw pads. The officer departed, still shaking her head and murmuring, “Why me? This is so strange, why me?” under her breath. 

The delivery man trundled his cart and three boxes in through the front door. “Sorry. Alley’s blocked by a stuck car.”

“We were due, and thanks. Have a quieter day,” Simeon assured him, then hefted one of the boxes and lugged it to the back as Pedro finished checking out a distracted college student. The kid paid with one hand as he scrolled through something on his phone with the other, eyes on the phone. Vladimir, watching from atop one of the shorter bookcases, muttered something unflattering in Russian.

Da, Tovarish,” his mage replied in passing. That was how people became statistics, even in Santa Fé. Pedro got the second box, and Simeon moved the third. Only then did Vladimir relocate to his nest behind the counter for his early afternoon nap. 

“Boss, what was the commotion about earlier?” Pedro asked when they had a customer-free moment. 

Simeon glanced at the bill of lading, and the invoice, and checked both of them against his order list. “A threat against the store. Because of Ms. Fredricks.”

Pedro shook his head, then returned to grabbing books to restock the regional shelves. “I don’t get it. She’s not competing with anyone, doesn’t claim tribal membership, what’s the problem?”

“She still does pots. That’s the problem, according to someone.” He had a guess who, or rather which group, but that was only a guess and one he did not voice aloud. “Different topic, I’ll shelve these.” He pulled a smaller carton out of the “pending” stack. “Four new authors, so things will get shuffled.” 

Pedro made a face, then headed for the back door for a bit of fresh air. And a hit on his vape, probably, since he didn’t smell like cigarillos today. Simeon shrugged and carried the open carton to the appropriate section and began moving books and removing a few. 

(C) 2026 Alma T. C. Boykin All Rights Reserved

Vienna Wandering

As the camera view shifted, from the orchestra to a shot from atop the faux grotto and little retreat atop the hill behind the palace, the edge of the Vienna Woods and the spire of Stephansdom came into view. Farther east, the land flattens into the Pannonian Plain, Hungary, and then eventually rises into the Transylvanian Carpathians. Between the palace and the cathedral? A place I have roamed several times, and perhaps will roam once more.

I’ve not set a recent story in Vienna. Some of the Cat stories, yes, I indulged and used parts of Vienna as a setting, but nothing more recently. I’m not certain why, unless it is because Vienna has eased from my mind. 2019 was my last visit. In 2022 I saw photos of armed soldiers in Vienna 1, the old district and NOT near the synogogue and Simon Wiesenthal’s former headquarters. Something in me cringed. Vienna was supposed to be safe in ways that Munich, Berlin, Paris, London were not. Alas, the opening of the floodgates in 2015 have brought the tide into the old city. Where are Rudiger Starhemberg, Eugen von Savoy, and Charles of Lorraine when you need them? Times have changed, and I fear that the city I recall has changed as well. For all its pride in parts of its history, Vienna is not a city in amber.

Vienna was the first city in Europe where I discovered that if I got up early, it belonged to me and me alone. OK, me and delivery trucks, but the streets of the old city lay open and empty. No ever-growing batches of tourists, no office workers, no people to distract or pick my pocket, just me and the stones and history. It was mostly quiet, cool, and mine. I laid claim to Vienna, to the Franz-JosefKai along the Danube Canal, to churches that opened at dawn for the devout, to the Graben and St. Michael’s square.

Vienna has been settled since the Neolithic, perhaps earlier. It sits on the end of the foothills of the Alps. If you go a little west, into the Vienna Woods, you are starting the climb into the mountains. The area remains rugged and relatively unpopulated with wild pockets. Vienna, at the union of the Vienna and Danube Rivers, was more welcoming as long as the river behaved. Which was less often than people preferred, not that they could do much about wild rivers before the 1800s. Celts, Romans, Germanic and Slavic tribes, then Magyar, Germanic, Ottoman, and others settled or washed in and out, following the rivers.

When I first visited the city, I learned about the Roman and early Medieval history, and never left the Alt Stadt. As time passed, I studied more, learned the language, ventured farther afield, saw the city in three of four seasons, and remained fond of the place. I suspect if Emperor Franz Josef were to return to the city, he would recognize the bureaucrats, if not their clothing. Some things have not changed, and probably will not. I can still find new-to-me bits and corners without leaving Vienna 1, the Altstadt. There are too many stories for me to learn them all, and I enjoy learning.

At the end of the concert, the orchestra played Strauss’s Wienerblut “Vienna Spirit” waltz. A few couples still danced to it, although not as many in the past. Alas that waltzing has become political in Austria, supposedly a sign of being associated with “the Right” whatever that is this week. Too, I suspect that fewer young people learn the dance, and attend the concert. I hope I’m wrong.

Vienna 1: “Old Stones”

A re-post from 2014. It is based on a visit in the 1990s. I was reminded after watching a concert at Schoenbrunne Palace on Friday night.

Paris is the city of light, the city of romance, the heart of all culture and art. And it sprawls, has too much traffic, and do not get me started on the crowds in the Southern European side of the Louvre. Or how “wonderful” and “romantic” it is to walk from the Louvre to your hotel on a 100 degree F afternoon in June when you can’t find a cab. I’ve seen what I wanted to see: the Musee de Cluny and the Northern European art at the Louvre. Send me back to Vienna, please.

Ah, Vienna. It’s a little too trite to talk about “faded splendors” and “an air of nostalgia, wistful yearning for past glories, like a faded beauty,” and all those other things people say about the city. Once you take off the Empress Elizabeth-tinted glasses, there’s a  great deal more to Vienna, which may explain why I enjoy spending time there.  I am aware of the dark side, Karl Luger and the anti-Semitism of the 1900s-1940s. I’ve seen the soldiers patrolling Judengaße and Salztorgaße, protecting the synagogue and Simon Wiesenthal’s offices. The century or so between 1848 and 1955 were not happy years in south central Europe for a number of reasons. But Vienna’s history goes back much farther than the unhappy postcard painter and the sad story of Empress Elizabeth.

Here’s a little piece I wrote over thirty years ago, after my first visit. At the time I had no idea I would end up making what would be eight trips to the city.

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Weeping for a Fictional Robot

The first time I saw the Transformers movie (original), I was an adult. I wept, sobbed, during the scene when Optimus Prime died. It was silly. I’d been a big fan of the cartoons as a kid, but come on! To this day, the music from that scene hurts a little, in a good way.

The movie is an interesting study, looking back. In some ways, it is a lovely example of the use of the Hero’s Journey pattern, and try-fail-try-fail-try-succeed. The sound track blends rock, Weird Al’s music (“Dare to be Stupid”), and electronic music. Voice actors included Orson Welles, Leonard Nemoy, John Cleese, Peter Cullen, and others. Yes, the graphics are clunky by later standards, but I didn’t really care, and still don’t. It’s not a film to watch as a study in the art of animation. It is an adventure story about a junior character who grows into leadership. There’s also a hint of the Prophesied Hero in it, if you look closely, but the foreshadowing is not blatant.

I grew up watching Transformers and G. I. Joe on week day afternoons (if WGN didn’t preempt them with a Cubs game.) My sibling and I had the toys, and knew all the characters, and puzzled mightily about how to get some of the Decepticons to transform (Autobots were generally easier). Transformers, Go-bots, Lion and Vehicle Voltron, they would lead into other things like Gundam, Space Battleship Yamato, and so on. I was more interested in the cool shape-shifting robots, and the good vs. evil stories. I watched a few episodes of the rebooted cartoon, and was NOT impressed. Too PC and not enough robot, in my opinion. The live action films … Just weren’t the same.

So why did the death of Optimus Prime hit so hard? In part because of how he died, protecting another Autobot from Megatron. In part because the music is so evocative. In part because in the story world, it marks the end of an era. Oddly enough, Prime was one of my formative examples of leadership. I knew enough military history already that I knew G. I. Joe was really not how the Army worked. I grew up on WWII movies and so on, so command structure and leadership had already been ingrained by age 12, sort of. However, Optimus Prime as a leader made better sense in my world. Looking back, I sort of imprinted on his style as a commander and diplomat. Silly? Yes. But a far better role model than some of what’s out there, even then. So the character’s death hurt. It wasn’t a wasted death like some in fiction and film, but oooohhh, the first time I watched that scene it felt like a friend had died.

Peter Cullen, the man who voiced Optimus Prime, died this week. For some of us, who remember him as the character, it was a bit of a sting. Time is passing, and the things of our childhood are fading away, perhaps. Transformers: The Movie is still fun, with clear lines of good and evil, and a main character who rises to become a mature leader and grown-up.