It’s one of those questions that interviewers toss in every so often, usually when interviewing a cultural figure. “If you were trapped on a desert island, what music/book/painting would you want to have?” I was thinking about that, because I loaded a new-to-me recording onto this computer, and found myself listening over and over to a few songs. It is an album by the a capella group Voces8. Mostly a capella – no piano or organ or orchestra, just an occasional cello and saxophone. I put Morten Lauridsen’s “Magnum Mysterium” and Bruckner’s “Os Justi” on loop as I wrote a scene.
If I were stuck with a limited amount of music and books, also known as “being in the real world for most of human existence,” I’d want the Mozart Requiem, Gjiello’s “Luminous Night of the Soul” and Lauridsen’s “O Nata Lux,” along with Lauridsen’s “Sure on this Shining Night” and Bach’s B-minor mass. In other words, things that lift the soul, or at least lift my soul, and speak of eternity. And that I can’t sing that well on my own. Maybe Avantasia’s “Raven Child,” just because it so shaped how Arthur’s character ended up developing. Maybe.
Purely instrumental? Ralph Vaughn-Williams “Variations on a Theme by Thomas Tallis,” and some medieval and Renaissance compositions. I’m not sure about which classical compositions make my “desert island list,” because there are a lot to choose from, and I’ve not had (or not taken) the time in years just to sit and listen to instrumental classical music. My selection for that used to be the Brahms German Requiem. Which is vocal as well as instrumental, so it doesn’t count.
Books? King James translation of the Bible. The Blue Sword. Wilson’s The Thirty Years War. One or two other great histories, perhaps. Rudyard Kipling’s Complete Poetry. Novels? I’m not sure. I’d have to go digging in my list. An art book of great works of Western art would also be good.